• Jeannie Kinsler

    South Africa

    Jeannie Kinsler
    • Artist Statement
      • In my work I am concerned with the idea of life as being an essentially transient, ephemeral thing – perhaps explains why I am drawn to dappled light and movement – the lift of a breeze and something is there and gone. The face or body poised to move. My paintings are an attempt to make something permanent of those fleeting moments. I look for beauty in the everyday and inspiration comes from the place I live in and the people I know. My work is figurative – the image is often fragmented as I splice together the photographs from which I work, the paint is applied in thin layers and the subject matter is life and the world around me all influenced by light and how it shifts, falls and filters.
    • Biography
      • N.Dip Graphic Design (Durban University Of Technology)

        Jeannie Kinsler was born in England but moved to this continent when she was 8 years old, growing up in Zimbabwe and then moving to South Africa in 1979. She studied Graphic Design at the then Natal Technikon. She lives in Durban and works from her studio on the Berea where she has been painting for the past 12 years. Her early study of painting in oils was under the guidance of Pascale Chandler.

        Jeannie has exhibited widely in group shows at the KZNSA, artSPACE Durban and Gallery 415 and held her first solo show at artSPACE Durban in 2009.

        Selected Exhibitions:

        forward - a group show at Breathing Space Durban

        reflections and shadows  -  a two person exhibition at Imbizo Gallery with Louise Jennings
        show 3  - group show at Loading Bay Gallery
        show 2  - group show at loading bay gallery

        a very still life at artSPACE durban - an exhibition of still lifes in paint and ceramic with Louise Jennings
        to the four winds – an exhibition at Imbizo Gallery
        exhale - a group show curated by Grace Kotze at artSPACE durban

        consider China  - exhibition at artSPACE durban

        currency at gallery 415 - a group exhibition with Dee Donaldson, Pascale Chandler, Janet Solomon, Grace Kotze, Louise Jennings and Marianne Meijer
        where we live - a collaborative exhibition with fashion designer Terrence Bray at KZNSA
        inspiration 2 - a group show at artSPACE durban

        the end (of the world as we know it )  - group exhibition at
        artSPACE durban

        big is beautiful  - group exhibition of large scale works

        collected  - solo show at artSPACE durban

        dwell  - a three person show with Jennie Castle and Louise Jennings at artSPACE durban
    • Interview
      • Which new trends or South African artists do you find inspiring at the moment?
        I continue to be inspired by Pascale Chandler – for her incredible handling of paint and use of a constantly fresh drawn line but also because she taught me more than just the application of oil on canvas – she taught me how to look at the world around me, how to see that potential subject matter can be found everywhere and often in the most unexpected and mundane of places.

        Which South African deceased artist do you most admire and why?
        I admire the work of Neil Rodger for his meticulous technique in portraying the human form and the quality of light that seemed to bathe all his paintings.

        Which exhibition that you have visited made the greatest impact on you and why?

        I was fortunate to visit the BP Portrait Award at the National Portrait Gallery in London last year – it exhibits the 55 paintings that have made the final cut. Of those the top three are announced and of course the winner. In that one space it showed 55 different ways of painting the human head – all wonderfully diverse in scale and technique.

        Where do you get your inspiration for your work?

        Inspiration comes most often from my direct environment – the house in which I live and the people I have shared the house with. My fascination with painting the human form started with my three daughters – who have been convenient and patient subject matter since I began my artistic practice. I try and collect beautiful things and set up still life stories on every surface taking numerous photographs that I catalogue and dip into on a regular basis. I also photograph plants, flowers and trees and some of the recent protea studies come from photographs taken by my brother on his farm in Umzumbe.

        Do you have any rituals or habits involving your art-making that you can tell us about?

        I work from actual printed photographs that I often cut and crop and splice together. I also lay down thin layers of arbitrary colour on the white canvas before I begin the initial drawing – makes the surface less intimidating and precious somehow.

        What do you like most about being an artist?

        The thing I like most about being an artist is that the work I do is something I love. I feel very lucky. The thought that my paintings live in people’s homes and provide joy will always amaze me.

        How do you handle bad days when you experience artist's block?
        I don’t often experience a block but there are days when one piece seems to be heading in the wrong direction – I do always work on a number of pieces at the same time so will move onto something else and give that one a break. If a particular work isn’t going well some of my best pieces are over paintings so I normally turn the canvas upside down and start fresh – using the surprises in the under painting.

        What is your greatest achievement as an artist to date?

        I think being invited to join a curated show of female artists (Pascale Chandler, Dee Donaldson, Grace Kotze, Janet Solomon, Marianne Meijer, Louise Jennings) at gallery 415 in 2013 was quite an achievement – I felt extremely honoured to be in that company.

        Do you feel that you want to make a difference to the world or in people's lives? If yes, how?
        I think to be working successfully in the arts feels like making a difference – proof that the world needs beauty and joy. Proof also that even with our lives on social media filled with images of people a face or body depicted in paint on canvas can still be so relevant.

        What are your plans for the coming year?
        I will be part of a three person show with Jennie Castle and Louise Jennings at restock gallery in Funchal, Madeira  –  we are working on a collaborative piece called FUSION – Orchidacea
        I am also working on a small show around the theme ‘makers making’ – working with images of people using their skills from ceramic artists to fashion designers

  • girl with linen cloths painting jeannie kinsler JEANNIE KINSLER
    Girl With Linen Cloths
    Painting / 100 x 100 cm
  • after the swim painting jeannie kinsler JEANNIE KINSLER
    After The Swim
    Painting / 40 x 40 cm
  • filtered face v painting jeannie kinsler JEANNIE KINSLER
    Filtered Face V
    Painting / 120 x 60 cm
  • far away painting jeannie kinsler
    Far Away
    Painting / 38 x 38 cm
  • backlit i painting jeannie kinsler
    Backlit I
    Painting / 80 x 120 cm
  • backlit ii painting jeannie kinsler
    Backlit II
    Painting / 80 x 120 cm
  • filtered face ii painting jeannie kinsler
    Filtered Face Ii
    Painting / 100 x 100 cm
  • clouds hill proteas iii painting jeannie kinsler
    Clouds Hill Proteas III
    Painting / 60 x 60 cm
  • clouds hill proteas iv painting jeannie kinsler
    Clouds Hill Proteas IV
    Painting / 60 x 60 cm